The Pick-Up Diary

Telling stories in one of the best ways to generate attraction in pick-up when done correctly. If you want to be able to pick up a girl you gotta learn to tell stories.

Here are some basic guidelines for storytelling:

1. Material. Choose stories that are interesting, fun and relevant to her! Avoid stories about distasteful subjects, i.e. death, car accidents, bad breakups, etc. Use stories you tell often to friends and new people that get big laughs.

2. Be succinct. Write your story out word for word and then gut it. Get rid of everything the listener doesn’t need to know and doesn’t care about. It?™s better to cut too much than too little. State the boring but necessary details as succinctly as possible.

3. Lead in. This is how you start the story. The lead in should be congruent with the story to follow. Communicate using words, tonality and energy the type of story to follow. Some examples are, “Oh my God, the funniest/craziest/weirdest thing happened to me the other day!” or “You’ll never believe this, check it out.”

4. Hook. An initial hook is something that makes peoples’ ears perk up. It should be as close to the beginning of the story as possible and should be specifically chosen to make people lean in and pay attention. Bad: My friend called me the other day and left me a message to call him back. So I called him and he went on and on about his Mother’s operation before finally telling me about this party he wanted to go to. Turns out, it’s an S & M party! Good: So the other day I went to this S & M party!

5. Unanswered questions. Craft your story so that there will be unanswered questions in the listener’s mind. You want them to ask you questions that give you the opportunity to further increase your value. Example: So I was picking up my new car the other day and the salesman wouldn’t stop asking me about my watch. The girl I was with finally told him we had to go so she could pick up her instrument for a concert she was doing that night. Unanswered questions: What kind of car did you just buy? What kind of watch were you wearing? Are you rich? Who was the girl you were with? What kind of performance did she have to get to?

6. Allude. In the examples above you’re alluding. You’re alluding to the fact that you have money, as you just bought a new car and have a cool watch. You’re alluding to the fact that you hang out with cool girls. Stated directly, any of this information would sound like bragging, so you allude to it. Make them ask you about it; don’t volunteer it.

7. Subcommunication. This has to do mostly with tonality. The same story can be told playfully, seductively or in a way that generates intrigue. Calibrate to your audience and know what you want to subcommunicate.

8. Convey personality traits. In telling a story, you’re telling someone a great deal about yourself. Know what personality traits want to convey. Craft your stories to subtly tell someone you’re adventurous, rich, famous, creative, courageous, etc.

9. Tonality. This is hard to put in print, but vary your tonality as widely as possible. Talk slow, then fast, then low, then high and then higher! Make transitions smoothly and tell the story in a way that sucks your listener right in. Along with this, act out parts of the story with your hands or your whole body.

10. Have a punch line. A punch line is a line that sums up your story in a powerful way. It’s a way of letting the listener know that the story is over. It doesn’t have to be funny, though in many stories used in the field it will be. Examples: – “That’s the last time I take THAT dog to the beach!” – “From now on I’m asking to see girls’ ID’s!”

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Do you want more success with women in 2012? Then you need to check out these 7 simple tips to get the girl in 2012.

1. Meeting women isn’t just for Saturday nights

Bars and clubs are only a small part of the world. Branch out. Do some Day Game. Develop a social circle that generates attractive women for you to meet naturally. Build a lifestyle that puts beautiful women in your path. On the other hand, don?™t try to be one person when you meet women and another person in the rest of your life. If you need to be more social, be more social every day. If you need to be a better storyteller, be a better storyteller every day. And so on.

2. Write down your goals and how you plan to get there

Studies show that people who write down and commit to their goals are over 600% more effective. And don?™t forget to do a small step towards them every day.

3. Learn how to flirt over text/sms

If you date women who are under 40, you need to learn to text/sms. Texting should build attraction, increase sexual tension, qualify her, and let her get to know you better. In other words, everything we used to have to do in person. A phone number alone isnt that valuable, but if you know how to use text conversations to get her dying to see you again? – its money!

4. Schedule your priorities. Prioritize your schedule

Don’t leave what is important to you for if you have any time left at the end of the day/week/month/year/etc. Put what is important to you on your schedule and stick to it. That means some things will have to fall off. That’s okay. It’s much better to choose what you don’t have time for than to let what is urgent keep you away from what is important.

5. Get good wingmen

Good wingmen force each other to go out, make each other do their approaches, and encourage and help each other when they see something wrong. Good wingmen also let you have a lot more success. While you can definitely attract women when you go out alone it’s a lot better if you have a wingman to help you out. And more fun too!

6. Upgrade your fashion and hairstyle

Clothes and hairstyle say so much about you. To a woman, your clothes and hairstyle are a choice – and she wants to know what they say about you. Are you fashionable and cool? Or out of touch and lame? Are you fun and fresh and exciting? Or boring and afraid to be yourself? Do you respect yourself and have attention to detail? Or do just wear whatever? Make 2012 the year you get your “look” SOLVED if they’re not already.

7. Be man enough to get help

Most men aren’t good at this. Women don’t have this problem. They ask for and share advice all the time – and get much more personal than most men. This gives women a social advantage. Redress the balance in your own life – get some advice!

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Do you want a phone number and a date? Or do you want to take her home? Or is she your next girlfriend? The distinction is important, because each path leads in a different direction.

1. How to pick up a girl if you want casual hookups. Focus on Physical Escalation (touching) and Logistics (getting her alone with you somewhere where you can take things to the next level). Remember to touch early and touch often. Find out early in the night who she is with and where she is going later. A couple quick tips:

– Make the numbers match. If you’re alone and the woman you meet is with her friend, get an instant wingman. You can use opinion openers with guys you don’t know in order to draw them into the conversation.
– Whispering is a great way to create sexual tension – it lets you get right close and is a huge turn-on to many women (always have chewing gum with you ;)
– In Day Game, physical escalation is less important and logistics are more important. Don’t try to seduce her on the street. Make a date for later that night.
– Use roleplays

2. If you want phone numbers and dates then it’s mostly about the Emotional Connection. Physical Escalation/ touching is less important on the first meeting (but still do it) and Logistics aren’t usually very important at all.

Emotional connection comes through conversation. So you need great conversation and flirting skills. Here are a couple of flirting/conversation skills:

– Never ask two questions in a row. Alternate statements and questions.
– Don’t play tourist in her life. Add value.
– Flirting is playful, not serious. It’s also supposed to be fun. Make her have fun.
– Cut off any conversation topics that won’t help you (e.g., her ex-boyfriend, her sick cat, her 6am wakeup call tomorrow, etc.).
– Be at the same energy level as her or slightly higher.

The second part of this is that once you get her phone number, you still need to turn it into a date. Here are a couple hints to get you going:

– Texting is usually better start than phoning for the first contact.
– Always sign your texts. If she has to respond with “who is this?” it kills the emotional momentum.
– If you call, get off the phone first, after about 10-12 minutes. Never leave voicemails.
– Never text her back quicker than she texted you back.
– Be unpredictable. Alternate long and short texts, funny and serious, questions and statements.
– Use statements more than questions. You don’t lose anything if she doesn’t respond to “I’m going to the House of Blues tonight!” You do if she doesn’t respond to “Would you like to come to the House of Blues with me?”
– Use Callback Humor whenever possible. If you did any role-plays when you met, start the call by continuing the role play. If you gave her a goofy nickname, start by calling her that.

3. If you are looking for a girlfriend or long-term relationship

Here’s where you need the full package. You need the conversation skills, you need the phone and text game skills (because there are going to be a few dates before she becomes your girlfriend and you’ve got to keep things going in between those dates).

You’ll also need – unlike in the last two cases – an attractive lifestyle. A woman can hook up with you without caring about what you do with your time, but for a woman to become your girlfriend, she has to want to join your life. That’s friends, hobbies, job, social life, interests, etc.

Here are a few handy lifestyle hints:

Prioritize your schedule and schedule your priorities. If you don’t make time for what’s important to you, it won’t happen. It’s much better to be passionate about something that she might not be interested in than to adopt “high status” hobbies you don’t connect with. Women love hearing men talk about something with passion and love telling their friends about it.

P.P.S. The holiday season is coming. And it’s not just about stress and travel – it’s also a great opportunity to attract women – especially holiday shopping!

The usual Day Game system that most men use will also work just fine at the mall during the holidays. But if you’re shyer, there’s another way. Approach a woman you’re attracted to with something like: “My sister says she needs a new purse for Christmas. What’s in style these days?”

The transition from this is easy; ask her to help you pick one out. Be near a purse store when you start the conversation and save your receipt. Or ask her what she’s doing and then “realize” you’re both doing your holiday shopping at a lot of the same stores, so why not do it together?

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Next time you?™re in a bar or club, try this routine. Girls simply love it.

You: Hey, are you a good liar?
Her: What?
You: Can you lie? (Turn to her friends) Is she a good liar?
Her friends: Yes! She is a fantastic liar!/ No, she can’t lie.
You: Is that right? Well, let?™s see. You are going to tell me three things. One of them will be a lie. Ok?
Her: Ok.
You: Right…You are going to tell me…a place you have always wanted to visit. A shop you like going to…and….the name of the first guy you slept with, or girl…(gets her laughing/ smiling)
You: So that’s three things, place to visit, shop you like and first guy you slept with. Ok? (all her friends are now looking at her)
Her: Ok.
You: Hold on, take it slow, think about it. You have to be as convincing as you can…

She tells, you try and pick the lie. Then usually someone goes “my turn!” and if they say to you “your turn” you go “are you kidding, I am not playing some silly lie game”, then turn to your wing saying “These people are crazy”. Then go get a drink or something and let them think about what a fun guy you are. You will get IOIs (indicators of interest) en masse.

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Ross Jeffries: “The first key to understanding Thought Binding is to recognize that people are basically hypnosis machines. If you tell their minds in what direction to move they will do it everytime because people are not used to hearing these kinds of instructions. People are used to hearing babbling about content, in other words, reasons, data and facts, and that kind of stuff they can, do and will resist. But binding the direction of their thoughts? Never.

Here is an example. Suppose there is some very nice young girl you want to impress. You could tell her lots of stuff about you. You know, say something dumb like: “Well lots of women like me because I’m smart and funny and make good money, but other’s find it’s my honesty and looks that they are attracted to”.

Yeah. Right. Well, the problem is, you are tossing those facts, reasons and info at her, and like as not, she’s heard this a zillion times before and isn’t gonna buy it. If you must use an approach like this, why not bind the direction of her thoughts first? You’d do it like this:

“Hey, did you ever meet someone, and just instantly knew that you had to get to know this person better (point to yourself)? Maybe as you went inside and really got all excited about how much fun it’d be to get to know him and how curious and intrigued you were feeling? As you REMEMBER THOSE FEELINGS AS WE’RE TALKING, I’m just curious, do you first imagine how much fun they’d be to hang out with, and then get intrigued, or do you get intrigued first and then imagine how much fun this person would be (point to yourself)?”

Now, what are you doing here? You’re setting up a mood and state of mind that’s going to make her a lot more receptive by:

1. Having her recall what it’s like to be in the mood you want her in (setting up the thought direction).
2. Giving her a command to STAY IN THAT MOOD WHILE SHE TALKS WITH YOU by using the phrase “as you remember those feelings as we’re talking” (Binding the thought direction).

The phrase “AS YOU REMEMBER”…is a pre-supposition. A pre-supposition is just anything that HAS to be ASSUMED to be true in order for the sentence to make sense and be understood. Thus, with “AS YOU REMEMBER”, the presupposition is that they WILL remember.

You’ve now set her up to be MUCH MORE RECEPTIVE to any “facts” about yourself you want to throw because you’ve set up and BOUND the direction of her thinking and emotional processes. The beauty is THEY NEVER CATCH IT, because they aren’t used to hearing it or looking for it. They just know they find you mesmerising, hypnotically fascinating and irresistibly attractive.

Every decision people make is based in and dependent on their state of mind. If you don’t like their decision, change their state of mind before you try to change the decision. So the key here, is to set up the right state using some of the thought binding techniques we’ve discussed, but also to recognize, that if you’re getting resistance from a woman in the form of broken dates, calls promised but not made, etc., you need to back up and ask yourself the following questions:

1. Hmmm. What state of mind is she in right now with regard to me?
2. What’s the final state I want her in?
3. How can I have fun transitioning her to the state I want her to be in when I pounce?

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Another simple routine to impress your audience (you can use this in sets too) is the number reading routine?. Heres how its done: tell the spectator to think of a two digit number between 1 and 50. Both digits should be different and odd

Now eliminate the invisible options by asking whether it?™s a ‘two-digit number?™ (eliminates the numbers 1-9) and odd numbers (eliminates another twenty options). The most popular number people think off is 37. If you are writing the prediction down, make the ‘7?™ look similar to the number ‘1?™, as 31 is the second most popular number.

P.S. The popular answer for a number between 1 and 1.000 is 333.

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If you see a woman you’d like to meet, but you don’t approach her, that’s “approach anxiety.” This is a common problem for men.

• Give your wingman $100 at the start of the night. He gives you $10 back every time you make an approach. You’ll get in the habit very quickly.
• Keep a journal of your nights out and how many approaches you did. You can’t manage what you don’t measure.
• Do a few “warm up” approaches before you get to the bar or club or party. A club I used to go to a lot had a dive bar right beside it – so I’d go to the dive bar for 20 minutes, “warm up” with some approaches to get me in a talkative mood, then I went to the club.
• Momentum is crucial. Approach as soon as you get in the club. Even if it’s just to ask the time. Don’t let inertia take over. (Lots of people forget this rule.)
• Before you go out, write down a list of excuses why someone might not approach. (E.g., “She’s not hot enough,” “I want to get a drink/go to the bathroom first,” “She looks like she’s talking to her friends,” “I don’t have an opener ready,” etc.) Decide in advance if any of those excuses “count.” When you go out, don’t talk yourself out of an approach with an excuse that doesn’t count.

The best way to get rid of approach anxiety is of course to improve your game so that you WANT to approach, because each interaction will be exciting and fun. It’s amazing how quickly approach anxiety disappears after you do the first ones.

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The Penny, Nicholas, and Dime Routine by Style is a simple routine to demonstrate higher value (DHV). The best DHVs are those that make the woman or the group you

approach have a great time. These types of DHVs set you up as the guy who creates the good time for them. Everyone wants to be around that guy.

For the Penny, Nicholas and Dime Routine you’ll need a penny, a nickel and a dime. You could carry the coins around, but you could also use this opportunity to create an opener.

“Hey, do you have a penny, nickel, and dime? I want to show my friend something cool.”

Once you have the coins, it’s time to begin. Here’s how it goes:

“My friend showed me this cool game. It’s a trip. You ready?

OK…”

Present your left hand palm up, fingers together, to create a table for your effect.

Spread the coins out in your palm, heads up, in a line.

Place the penny nearest your finger tips, the nickel in the middle, and the dime nearest your wrist. This ordering will move the energy of the game directed toward you as you do the pointing.

Now say and do the following:

“Ben’s mother had three children: Penny, Nicholas, and …”

When you say “Penny”, point at the penny.

When you say “Nicholas”, point at the nickel.

If whoever you’re playing the game with isn’t looking at the coins, make eye contact with her, then shift your gaze to the coins, so she will follow your gaze and look at the coins.

Then point at the dime and keep quiet. She’ll feel the conversational lead and attempt to fill in the verbal blank.

They might say something like, “Dime-o”, or “Dime-us” or some other name that isn’t correct.

Go ahead and stop reading this passage for a moment, and figure out the right answer for yourself.

Got it?

The third child’s name is Ben because this whole game started by saying “Ben’s mother had three children…” Then two of the children (Penny and Nicholas) were named, by process of

elimination the third child must be Ben because it’s his mother!

Now, if she doesn’t get the correct answer, then repeat the exact same procedure over.

When you repeat the the patter feel free to put the coins in her hand by saying, “Gimme your hand,” or you could just proceed by gently taking her wrist, lifting her hand, with the fingers together, palm up, in a platform position. Place the coins on her palm in a line in order, penny, nickel, and dime pointing at you.

Repeat the quote while pointing at the appropriate coins.

“Ben’s mother had three children: Penny, Nicholas, and …”

If after a few repeats she still doesn’t get it. You can remove the coins and say, “Now don’t think about the coins, close your eyes and just listen.”

Now when you say the phrase again emphasize the words BEN and THREE. “BEN’S mother had THREE children…”

Usually, this gives her that “A-ha!” moment and she gets it. Without the visual stimulation of the coins and pointing, it’s much easier to solve the riddle. The reason why this works is

because of the visual misdirection. The penny-Penny and nickel-Nicholas connection made an inference that there was some indirect link between what was spoken and what was seen, namely, the dime.

If she still can’t get it, promise to tell her the secret of the Penny, Nicholas, Dime game later or the next time you hang out. This intrigue will help secure another date, or, if she’s the

intensely curious type that can’t wait, she might hang on your arm, begging “Tell me. Tell me!” Which isn’t a bad thing either. Tell her you will show her the secret only if she knows a friend there at the venue that you guys can play the game on together.

When you’re performing for an audience of one, especially one you have a special interest in, ground the emotions and anchor the good feelings to you. After she achieves the game’s revelation, you can add some romantic patter to enhance your relationship

and bring you two closer together:

“Now isn’t that amazing! It’s funny how once we see things in a certain way, we can’t ever go back to seeing them the old way again. Like with this game, there was some connection right in front of our eyes and ears but we couldn’t see it or hear it. Yet the pleasantly surprising solution appeared, seemingly out of nowhere.”

P.S. There are tons of great routines in the book Magic Bullets.

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The “Strawberry Fields Routine” is designed for physical escalation. You should use it only when you have developed sufficient rapport with the girl. It’s good routine for transition from comfort to sex. There are only three questions:

1) “Imagine that you are now standing at the gates of a strawberry field. You are alone. There are tasty, ripe strawberries in the field. How high are the gates surrounding the field?” (This indicates how easy or hard the girl is to give sex)

2) “Imagine you’re now inside the strawberry field. How many strawberries do you pick and eat?” (This indicates the number of sex partners she desires)

3) “After you finish eating the strawberries, you realize that you have been observed by the farmer from afar. How do you feel about him?” (This indicates how she feels about her partner after sex)